iTunes Exclusive Episode Insidious The Last Key

Greetings, Empire member and or members.
If you are hearing the sound of my voice, it means the following conditions have been met.
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It also means you subscribe to this show on your favorite podcast app because it is time
for iTunes exclusive number 340, getting close to another big milestone if you can believe
that.
Just like we just hit 325, which we kind of did just recently, but it's been a while.
Welcome.
My name is Rob, I am the executive producer of the Clubhouse podcast and I have a policy
I live by code and we are going to talk about that here in a minute.
I'm not alone for this particular episode as I rarely am joining me across the desk as
he does from time to time is the official fact checker of this show and a man who knows
the key to everything, but he doesn't want you to know it.
You may know him as fun, don't go, but his mama name I'm Don Ford, I'm going to call
him Don Ford.
Welcome, sir.
I don't lose my car keys that often, I don't know what your car keys, I know, but yeah,
that's like one of those scenes that pet peeves of people, I really do that.
I used to be a lot worse at that, but now I've gotten into a rhythm of leaving stuff
all in the same place.
Yeah.
So, whatever we do one of these, it is to review something, this is no exception.
It is time to talk prequels as we talk about insidious, the last key.
For what's up, this whole thing?
Yes, sir.
We got to think Marianne, everybody at Slifox, Zee-Nee-Me, Zee-Nee, Zee-Nee, Zee-Nee, Zee-Nee.
We are such fans of everybody over at Slifox, they do such great work.
They do Marianne.
They do great work, they're good to us.
They let us see movies early so we can tell you about them, well, in this case, Don can
tell you about them, because we were kind of dividing and conquering on this one.
You were at one screening, I was at a different screening.
Yeah.
And when we just decided to do that divide and conquer, I know you did not want to be the
running one.
You want to see this one?
Well, I was letting you handle this one for a specific reason.
I mean, it's insidious.
I mean, it's a franchise.
Yes, it's a horror movie.
It's going to make a bazillion dollars, because that's what horror movies do.
But like I said earlier, I have a policy, I live by a code.
I refuse to subject myself to someone that's going to try to make me pee on myself.
That's just, I don't do horror movies in any way, shape or form.
So I get to pass some time in the next year.
Just keep that in mind.
This isn't the first time we've done that, sir, so I don't know exactly where that's
coming from.
There's one.
It's like, hey, you see that?
I'm out.
I'm going to pull it.
Well, that's one thing that works really well with the group of people that we have
on the show is we all have differing tastes.
So there's going to be times where you're like, you know what, this isn't really my cup
of tea.
And I'll be like, no, I'll go see this.
I'm down.
Oh, yeah.
And vice versa.
And Chad kind of rounds that out.
Yeah, big time.
And then you've got Gen Roman Alex involved too, so we can kind of cover as much ground as
possible.
Good deal.
All right.
So in this directed by Adam Robotell, isn't that what you take when you're sick?
No, we're just more of a touch.
Oh, I'm sorry.
My bad.
Yeah, of course.
There you go.
You're welcome, America.
And one of the stars actually is one of the writers, Lee one now who plays specs is the
actual writer of this as well.
And this is a prequel to the insidious franchise where Paris psychologist, Dr. Elise Rainier
faces her most fearsome and personal hunting yet in her own family home.
So you know, I read your review currently located at www.theclubhousepodcast.com, which
is our website.
Absolutely.
Now, let me make sure I got this right, Dr. Rainier, we start with her as a child.
She has a gift.
She can speak to the dead, her mother also has the gift.
Yes.
Her father not big on the gift and things he can cure her of it fast forward to her
as an adult where she's called back to her childhood home to to basically clear the
house of some evil spirits that may or may not be there because someone else is living
down right.
Right.
And he has issues and she's got a couple of assistants that come with her and things of
that nature.
It runs about an hour forty five somewhere in that neighborhood.
Let's just start there.
This is a little long for your average horror mystery thriller.
Did it feel that long?
No.
Really?
Surprisingly not.
And I know what you're saying.
It's like the animated features, the slaps to come at you, they're starting to get
a little bit longer and a little bit longer and a little bit longer.
But usually you think that 90 minute, it didn't seem that long.
And let's just say one thing on the preface while you said earlier that dad tries to beat
it out of her.
Yes.
That's the most loving father in the world.
Put it that way.
Not that of the year.
Yeah.
And at the time when they're living there, he's actually a guard at the prison and they're
on prison grounds living in homes for the guards.
So there's kind of that spirit.
That's why there might be a lot of spirits there because at the time this is older, there's
executions are a lot faster and more faster than they are today all that yaddy yaddy yaddy.
The plot kind of surprised me.
It did keep me interested, but we're getting more of the plots of the good and the bad.
I think a little bit later because there's a couple areas I want to go into, which is
also getting my review at www.clubhouseplotcast.com.
That is our website.
And I'll try to keep this spoiler free as possible, which we do for the empire.
Okay.
Now, have you seen the other films in this franchise?
I think I saw the first one.
Okay.
But it ends where I think you can say the first one starts off.
Now I don't, I didn't see all of them.
I'm the first to say that.
To watch this film, you really don't need to see the other three except it.
It's a prequel.
Yeah.
It leads up to the first film.
Yeah.
Because it kind of starts off where, I mean, it ends at the point where the first insidious
is about to take place kind of thing.
And it gives a little clues at the end to kind of, it's kind of in a way like Rogue One,
you could say in a way.
Okay.
How the ending kind of leads to something else.
Okay.
Fair enough.
I'm with you now.
I'm with you now.
I'm with you now.
Being spoiler free on both.
Okay.
Um, the acting, I want to get into that.
She does good.
She, but she's been in like all of them, if I remember right.
She's been insidious.
Lin Shea.
Yeah.
At least right now because of the main character.
And she has, she's at elder, well, she's 74 in real life.
But she has that thing of the elderly lady who has that gift.
And there's only basically in this film the time of her as a kid and current day.
And it does flash back to a few things.
It starts off in the, as a child.
And it builds that story of hers, a childhood and how it in fact affects her today.
And she has been in all three of the other ones.
Yes.
So it kind of, her acting and her style demeanor really fits.
And plus she's been in all three.
So I think she's a perfect fit.
Of course.
If you had somebody else, how would you have somebody else play this final role when she's
been in the other three?
It doesn't work too well.
Right.
But her demeanor fits good of being that elderly lady who is used to dealing with spirits.
It doesn't freak her out and stuff like that like it did as a kid because she's so used
to it now.
So demeanor for the character is really good.
Okay.
The one I have to give a shout out to is Angus Samson played Tucker, one of her assistants.
Yeah.
One of her assistants.
This guy adds that comic relief to the film.
He was in Mad Max Fury Road.
He's been in the TV version of Fargo.
He's in the upcoming Winchester as well.
He was in the TV series Shut I.
But I think the writers probably listen to this show or the guy in the city's chapter
two.
But the guy who plays specs, okay.
He, when he wrote this, he probably listened to our show a few times and probably got
some things from me.
What do we say?
People are listening to this show.
Because this guy does some of those stuff where you just have to shake your head and laugh
and go, oh, Lord, like he's trying to hit on women and he has jello falling from his
mouth and stuff like that.
Yeah.
He's all ladies.
Yeah.
It's kind of like me in some aspects.
It's like, yeah, let's put Don.
Well, he also wrote the original saw.
He wrote saw two.
He wrote saw three.
You know, both of the city's, both of the first, all the other films as well.
Yeah.
Yeah.
But his character in there is very, he adds that great comic relief to it, which I really
enjoyed.
Having that kind of guy who's just like you shake your head and go, Lord, so I have
to give the shout out to him of the whole cast, uh, specs as well as a kind of the science
guy with the glasses, kind of guy, um, a CB, uh, Kirk, uh, Ace, Ace of eight, uh, Ace of
eight, uh, no one from other films, Oz and stuff like that.
He plays the guy.
He plays the guy.
Yeah.
He plays a guy who owns the house and stuff like that.
Okay.
So he's the new resident of it.
Yeah.
He's new resident of the house.
Oh, I just saw him, um, recently on Arrow.
Okay.
He's on the arrow of the season, but he does a good role and he kind of plays that kind of
quiet, something's wrong, uh, that, hey, are you came in with that kind of thing?
Not like he's psycho, but it's just like substance, bothering kind of thing and he's kind
of quiet.
And he does something in his past roles too.
So he plays that pretty well.
So overall, I think they did a good job in casting for this film and in the acting and
the style for this film, pretty impressive, and everything, um, Stewart who plays a dad
is incredible.
I think also.
All right.
As if it's a dad.
Yeah.
So acting wise, good, the scenery, sets and stuff like that, it basically takes place
at that old house, which is supposed, supposedly in five keys, New Mexico.
I don't know where they really shot at that.
But most of this film takes place in that house.
Okay.
So set wise, it has the three level house of the upstairs, the main floor, then the creepy
downstairs where they have to have a generator to turn on the lights kind of thing.
So I think how they did the sets and everything, it's good for that kind of film because the
downstairs makes it kind of that real scary where there's an old fallout shelter and stuff
like that in the film.
There's a lot of CGI in this.
One thing that kind of bugs me is when they're downstairs at night, this is going to be one
of those films, unless you see it in the theater when you're watching that home, especially
during the day, you can get mostly get a black screen.
You're like, what's going on there?
You can't really see because it's so dark and they don't add much light.
And so if you ever watch some of those DVDs during the day and they're trying to do a dark
scene in the dark room, you can barely see anything.
Yeah.
I think that'll be a problem with this because there's a few scenes where it was like real
real dark.
Okay.
Fair enough.
That'd be one of my gripes on this film when it comes to the lighting and the filming
and all that.
The CGI was good.
You know there's some CGI, but you're doing it because of the CGI.
Right.
There's for a film like this you kind of have to.
Yeah, exactly.
So they did find on the CGI and everything like that.
Now to the plot.
This is what gets kind of interesting.
You did talk about this in your written review as well.
Yeah.
I was hoping you'd go into this a little bit.
What they did, they start off with her as a kid and he kind of builds up foundation, then
she comes back and tries to rid the spirits.
But it goes into a different angle and this is tough to do because I don't want to be spoiler
on this.
Absolutely.
We pride ourselves of being spoiler three on this.
But you'll find out in this film that it's just not the dead, that's evil is the best
way to put it.
Fair enough.
There's a lot of evil go around.
Evil on every level.
Evil on every level.
And you go, oh, wow, that's why it's just not the spirits kind of thing.
And when they went into this avenue going down this new path, I'd say on the script, even
current day in family history, it's like, whoa, okay, this I think is adding a good twist
to this.
Okay.
It's something kind of new.
But when you get that real family history, the family issues of the evil, it doesn't
give a clear finality.
It doesn't, you see kind of, but they, you don't get that finality.
It's a bad.
I'll tell you off air.
Okay.
Fair enough.
They didn't resolve it well enough for you.
They didn't resolve it.
Okay.
They should resolve that family thing more than everything and I'm going to say is just
suitcases.
That's all I'm going to say.
Fair enough.
Fair enough.
You've gone in more of that after the suitcases is the best way to put it.
Okay.
Fair enough.
So that one.
But still enjoyable for you.
Well, this is one of those like you, you like to say, leave your brain at the door.
That's what this genre does.
Yes.
Yes.
Leave your brain at the door.
You know, if you go into this thinking this is going to be a nice little comedy or a
fun fest or a family film.
Welcome back from the cave.
Yeah.
Welcome back to the cave.
When you go into this film, you know what's going to be, it's going to be a horror
film.
The thing that kind of bugs me on some of these, they try to do the cheap scares.
Yeah.
Yeah.
And that's just like, there was a couple of scenes where I thought, they really have to
try to do it that bad.
It's dark.
You hear the creaks.
You hear the background noises.
That's what they do.
They try to open the curtains.
It's like, I'm like, do I don't do it?
Yeah.
I don't do it.
But leave your brain at the door.
You know what you're going to get with this.
I did like the comedy, but I think they should resolve the real life evil more than anything
at the very end, especially with the family, that being my biggest gripe.
But it wasn't a nice plot, plot turn to say it's just not all spirits is the best way
to put it.
So.
All right.
And I'll say this fate forward.
She just saw this with me.
And that's me in a nice husband.
I didn't try to grab her during a, you know, because I, I bet she's glad you didn't.
Yes.
But she kind of left this going.
Yeah.
You know, kind of it is what it is.
So that's fair.
Great and final analysis.
Yeah.
The way we do the final analysis on the show, we're not going to give you thumbs up, thumbs
down.
We're going to give you numbers, letter grades, locks, anything like that.
We're going to ask Don two questions.
Question number ones.
Would he see this film again?
At the end, there's no them.
We're done here.
And the answer is yes.
Then the follow up question is, how far is he willing to go to see it?
Will he go full, full price, full of first run?
Will he wait till maybe a little earlier, a twilight showing?
Maybe a little earlier than that at a, uh, Matt and a showing.
Maybe a little earlier than that at a early showing on a weekend.
Maybe he'd wait and see it at the second run at the dollar.
Or a theater.
Maybe he'd wait for it and maybe just leave the house and go get it from a red box.
Maybe he wouldn't leave the house and he said get it on Netflix or maybe he wouldn't
even lift his computer screen open and he would just wait for it on Cape.
Don would you see this film again?
Yeah.
How far are you willing to go?
I'd recommend this as a red box.
Okay.
Go out.
If you're at the store and you kind of want a film and you want something to kind of have
at it.
Do you have the red box?
Get some dinner at the Walmart, store them by the red box.
Yeah.
Let's see what's going on here.
Or maybe the second run.
You didn't dollar theater on us too.
Don't go too far out of your way for it.
Fair enough.
You heard the man.
Adam Rubin would tell Jerex in Sidious the last key for me this whole thing.
Yes, sir.
And we got to think Mary and her band's life box.
Such a fan.
Zee-ee.
Zee-ee.
Zee-ee.
Zee-ee.
Thank you guys so much for everything you do for us.
We value you highly and we are always honored when you ask us to come screen films so that
we can tell the Empire how best to spend their entertainment dollar.
That being said, let's do the plugs.
Visit our website.
We've mentioned it a couple of times, www.theclubhousepodcast.com.
Find out everything you need to know and some stuff you don't.
You can follow us on social media.
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Everything else is the Clubhouse podcast.
All three words in that order or you will wind up somewhere else.
You can follow me on social media if you'd like.
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That Rob Irvin at a spelled ERVIN.
My normal co-host for this show is Chad Womack.
You can follow him at ChadNPG69.
I'm at FanDongo, two A's at the beginning, three O's at the end on Twitter, and also you
can email me at Don at clubhousepodcast.com.
Email Don for information on how we can come to a live show for you.
We love doing live shows and hanging out with the Empire.
You can email me questions, comments, concerns, tell me to go pound sand.
I am Rob at the clubhousepodcast.com.
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Jules Womack hanging out with her husband and they got their new apartment this past
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We're very proud of him.
And Faith Forge probably waiting on her husband to get home.
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So until next time for Don and the Empire, I'm Rob.
Clubhouse is closed.
It's a horror movie.
We bring you polymer in it for real.
To bring it to the next level, I'm just saying.