The Dallas International Film Festival 2016 Epilogue

Hey, Empire, it's Rob.
Whenever we do a cold open like this,
it's usually not with good news.
But let me read to you something
that I wrote on Facebook earlier today.
Just about three years ago,
the clubhouse podcast was at an interesting crossroads.
We were really enjoying doing this show
and we totally still do.
But we felt like something was missing from the presentation.
Don had just come on being bored
with us as our fact checker.
And Chad and myself had started doing some short
one-off shows after movies we would go see.
It was after a few of these
that Don introduced us to Gary Murray
and that introduction would change the show forever.
Gary introduced us to friends of the show
that would become our vendors for film and stage productions.
Thus making the iTunes exclusive episodes of our show
an official thing.
Since then, we have been able to bring our audience
to over 200 of such episodes
and they are still going strong.
Gary was never afraid to help us
take those leaves of faith that have given us the opportunities
to spend time with some of the icons of our childhoods
and some of the most awesome people in both the press
and entertainment that we could have ever asked
or even dreamed for.
You may not have always agreed with the guy
but he was always willing to engage in some of the
most fun conversations about entertainment
and pop culture that you could ask for.
Last night, Gary was called to his heavenly home.
I know I speak not only for myself
when I send the deepest of sympathies, condolences
and highest of prayers was family.
I'm also thankful that Don was able to be there
for his family and Gary's final hours.
Go rest high on that mountain, sir.
And thank you for everything.
The following is a sooner or later production.
Thank you.
As we record this, it is the 23rd of April
in the year of our Lord 2016.
This episode will only be available on iTunes
because we're recording in such an odd time
that we couldn't get people to get their stuff together to listen in.
So that's okay.
It is season six, episode 39,
numerically, I want to say 342 times.
We have welcome you to the clubhouse podcast.
Probably should have done some more research on it.
But what this episode is, it is the epilogue
to the 10th annual Dallas International Film Festival.
So if you haven't listened to the first two parts,
let's go back and listen to those.
Then come back here.
My name is Rob.
I'm the executive producer of the clubhouse podcast
and what a week it has been.
I think you can define the term emotional roller coaster
with the last seven days.
But we've got a lot of stuff to talk about.
So let's introduce you to the room.
Joining me across the desk as he tends to do
is a man that did something very subtle to our Facebook page
and I didn't even notice it until last night,
but I'm totally on board with it.
He is my co-host.
He is Chad, welcome sir.
Thank you, my friend.
Also joining me across the desk is the man
without whom I don't know that any of this happens
in the way that it does.
He is our official fact checker.
He is also a PR machine.
You may know him as fun, don't go,
but his mom and even Don Ford,
I'm going to call him, Don Ford, welcome sir.
Thank you for having me, sir.
It's an honor to have you here.
It's another diff in the credible time.
Before we start to all think,
we have to first off fake everybody at the Dallas International Film Festival
and then Jelka for letting us do this whole thing again
for the third year.
And so much fun.
And every year has been so different.
Oh yeah, you know.
And there's one thing I want to say for the very end,
which we will say because I should say for last.
But we got to think those people and
incredible bunch of people and a credible time.
And everybody knows it's talking to me how much I love the diff.
10 years.
Yeah, they've been doing this thing this year.
And like I said,
it's just there's a different feel every year,
but the heart of it's always still there.
And we talked about a lot within that particular realm last night
as we were broadcasting live at the Post DFS Honors Show
at the Filmmakers Lounge.
This was just,
I'm always so nervous going into these shows.
Because this is a big deal for us.
You know, say what you want about film festivals.
This is some of the most fun we get to have all year.
And they always say,
you never work a day in your life if you enjoy what you do.
Right.
Now, what I like a roadie that would volunteer themselves full time.
Yeah.
Oh yeah, a lot of physical work, but he still worth it in the end.
But to be able to sit down,
sit down with luminaries and celebrities and things like that,
that's a cool thing.
But getting to hang out with our friends in the press core
and to make new friends in the press core
from all over the country.
And this year was a truly international film festival
because last night,
we interviewed a director from Ireland.
And make no mistake.
That was no mistake.
He was Irish.
A lot of times when we do these shows,
I like to have eye contact with the people I'm talking to.
It makes it feel more and more personal for them.
With him, I really had to concentrate,
so I could make sure I could understand what he was saying.
But it was an amazing, amazing time.
I'm always impressed how upbeat everybody is
at the Dallas International Film Festival.
And how much we hear from filmmakers across the country
and around the world,
how
you know,
so and so told me,
I have to do my film here at the Dallas International Film Festival
because it's so much different.
It's got so, it's so much more welcoming
than a lot of the film festivals we go to.
Where a lot of film festivals will make you feel like you're cattle.
Like people that are high up in the organization
will make sure that they take the time
and they know you by name.
Oh yeah.
This isn't like Toronto where you're just a person
that we're a picture on some ID badge or something.
You know, you're not just a number.
It's especially from a press stand point.
Yeah.
Exactly.
I mean, we were talking to Jessica last night.
And I would come out of some of the screenings
that I was going to.
And I found myself just staring at the right carpet
from upstairs because it was just so well done
and it was so impressive and you could tell
even without hearing a sound outside
that everybody was having an amazing time.
Exactly.
And first of all,
testament to everybody,
you're on staff with the Dallas International Film Festival,
whether you're a volunteer,
whether you're a member of the press corps,
whether you're just somebody that maybe worked at the Angelica
or you worked at the Dallas Performing Arts Center
or you worked at the Alamo downtown,
Alamo DFW.
Thank you to everybody that puts in the work
to make this thing as great as it is.
Because you don't get to talk to people without that,
you don't get to talk to people like Patrick Duffy.
Oh, yeah.
You know,
fair white.
Even though she's a local,
she doesn't have to do these things.
She does these things because she loves
what the Dallas International Film Festival offers.
Now that we've done that,
let's talk about the festival itself.
Unfortunately,
we missed opening night.
We were otherwise booked,
but we heard amazing things from people
that we didn't got to see the land.
Especially,
Anthony from the movie brothers was there.
Oh, what do you think?
He thought it was wonderful.
I had a very, very good things to say.
Always a great presentation on opening night.
I'm not sure,
but Chad and I were talking about this last night, Dawn.
I may have seen more films than you this year.
Maybe.
Possibly.
And that's, that's a first thing.
Because you're scheduled to be able to hit one
on the way home, you know,
which I did on two or three different occasions.
Any highlights from the festival from a film stamp.
I know Chad,
your schedule was kind of walking
and you couldn't make as many screens as you wanted to.
Was there anything that you,
you will be seeking out now that the film festival
over the people have talked about?
I definitely want to see what was the daylight.
Daylight stamp.
Daylight stamp.
Yeah.
That's, that's right in my wheelhouse anyway.
And I've got to see Mr. Pig.
I have got to see that.
Winning, winning the big prize.
It won the big one.
And I'm going to say something.
Diego Luna shut it down last night.
He was there the entire time.
I was able to hear what you guys were saying.
But, you know, you'll hear it on the replay.
You'll hear what I did that.
Yeah.
Because I played that little sheet to Chad.
And he about fell out of the chair.
I don't know who we were in the middle of talking to.
And then you slipped me this little piece of paper.
This guy.
Jorge Grateras and Diego Luna.
And I just, I did like,
was it a quadruple take that I was like,
what? What?
What?
Yeah.
I about came unhinged.
I just filled my favorite so far.
That's even a sing street.
That one I need to see to move these so much.
I had the bars that kind of high for that.
It surpassed my bar.
I really loved the beginning.
But I wish they would have had more that comedy at the end.
That would be my only piece of advice.
Because I got more in the series and the relationship stuff with the girl and all that.
And that kind of thing, the music romance.
But being on that, that might only be for the more comedy towards the end.
But still, that that was my favorite so far.
Daylight's end.
You know, that's what we even talked about on the show out at the part two.
After the awards was, you know,
this is not your, you know, the film you show it, you know,
overnight's at the church, you know.
Yeah, this is something you show it to lock in.
And that, uh,
it rested with Baptist.
Yes, exactly.
So, uh, that was what he expected.
And that, the one with the potions, where they drink the potions and everything.
That was, that was more interesting.
I can imagine.
There's one I'm going to see, which I'm really looking forward to.
But after we could do an S is the liberators.
That that was.
You'll be, you'll be leading this recording.
You go to the scene that we interviewed the director and the, uh,
composer.
Yeah.
For that one.
Local people from way up on the north side.
That, and John Wildman talked a lot about that film last night.
Director of PR for the Dallas International Film Festival.
I just, I don't know, the films I saw in order,
because that's the only way I could remember them all.
Uh, I did see Sing Street.
Loved it.
Uh, went from there to the Anthony Weener documentary.
How was that one?
Um, I have to call it that because the name of the documentary is his last name.
Yeah.
And then you just start giggling and you can't stop.
It's a wonderfully done documentary.
But it will make your brain hurt.
Why?
Because you sit there for an hour and a half of your life.
And you watch this train wreck of a man who cannot get out of his own way.
And it's just like just when he starts to dig out of a hole.
Oh, look, we found another rock layer.
Okay.
Yeah.
And it could have been somebody, man.
And as a politician, the guy fights for people's rights.
He fights for the middle class.
And then like at one point, the documentary and actually you hear him say from behind the camera.
Why are you letting me film this?
And Anthony Weener's just sitting there shaking his head.
And it's a, and show time has picked it up.
Oh, did they?
So they're going to show it this fall.
So be on the lookout for that.
Yeah.
That one I will definitely DVR.
But my favorite film from the festival tends to go back and forth depending on the mood I'm in.
Seeing street or life animated.
Life animated affected me.
We talked about this last night as well.
Life animated affected me almost if probably neck and neck with the way that kids that could
begins affected me last year.
This is the story of a kid with autism who starts to learn how to live a normal life because
of Disney animated films.
And that's really as deep as I want to go because I really want people to see this film.
It's the story is based on a book that his father wrote called Life animated.
And it is one of the most inspiring and wonderful documentaries.
You'll see there.
I'll but one film I saw this year at the festival.
We're documentaries.
Okay.
And I didn't play that way.
You just kind of happened though.
And then came after life animated was.
Oh, what was the name of it?
Hunky Tonk heaven.
The legend of the of the broken spoke, which I saw.
It is a documentary based on the story of a place.
Oddly enough called the broken spoke, which is in Austin.
It is known as the last of the real Texas dance halls.
And it's been around for almost 50 years.
And the subjects of the documentary that husband and wife that that built it in
that they were there.
And he was bullied.
He was blinged out.
He was ready to go, brother.
And it's a really heartfelt documentary.
Telling this how it's a family business and all the people that have come through there.
And there are some luminaries that you will recognize in that particular documentaries.
People that you might know like Willie Nelson.
When he goes through, he has a what he calls the tourist trap.
Which is his like mini museum with a lot of the artifacts from some of the accident gone through there.
And you see some of the stuff he has and you just.
Wow.
Because this is a place that has like six foot ceilings.
So if you're taller than like six to when you're standing on the stage, you will put your heart
in your head.
And he talks about at one point where they had a hole in the roof because they had a guy that would come
and always love to pull up his guitar and just poke the hole in the roof.
And he just sat there for years until the rain started coming through.
It's really well done.
I was impressed with that.
Let's see.
After that.
It's going to start to get blurry for me.
Because I saw a lot of films this year and I mean it was a great time doing so.
Let's see.
Watched a documentary on called a song for you about the history of the PBS show Austin City limits.
Now is that one.
I think you'd really like it.
It's really well done.
It's not necessarily about the performances themselves but more about what happened behind the scenes.
There's a lot of performances in it.
Yeah.
It ends with Gary Clark Jr.
So of course, you know, you're automatically going to get points with me.
I learned a lot about Austin City limits.
I didn't know.
There's a great story about Chris Christofferson and how in the middle of his taping.
The lights went out.
And that's all I'm going to say because I think it's a great story that people need to hear in the film.
You probably looked a lot better at that point.
Well, he's always looked old though.
But I mean, you've got people in this documentary again, Willie Nelson's there.
Bonnie Rate is involved.
The polyphonic spree Wilco Pixies.
Lyle Levitts.
A lot of really great interviews in this.
There is a short probably a five to ten minute bit about Stevie Rave on.
They talked about him.
That's what I'd want to say.
And they show pieces from both of his performances.
Going into their getting ready for their 40 second season.
They started the same year Saturday night.
I did.
And then the last film that I saw at the festival was a best and most beautiful things.
Also a documentary about a young lady who is legally blind.
Her vision is literally.
I am not.
I am not.
Not exaggerating.
She has 21,000 vision.
What?
She can see things at 20 feet that other people can see from a thousand feet.
Good Lord.
So she is legally blind.
And she also has aspers.
So it's about her graduating from her from her high school and trying to.
Get into the just get into being independent.
She lives in a two to household family.
And she's just determined that she's going to be on her own.
I will tell you this is not a family film.
About two thirds of the way through.
It takes a turn and you go, whoa, whoa.
Back to truck up a little bit.
Uh, that I'm not going to go into because again.
Just know that it's not for the kids.
Which one was that again?
This is called best and most beautiful things.
I was produced by Kevin S. Bright.
Do you remember who put that name, Chad?
That definitely rings a bell.
It's a guy that executive produced friends.
That would be why executive produced this film.
Uh, the subjects were there.
I could not say for the Q and A I had to.
It was getting a little bit late and I had some things I had to take care of.
But it's a good documentary.
I wouldn't call it great.
It's good.
But it's definitely.
It's got some very adult material.
And adult situations that you handle in it.
There was so much that that's the great thing about the,
The Dallas International Film Festival is that there's so much going on that.
You can't do it all.
Oh, yeah.
You remember when we saw the, the, the, the Sing Street.
Mm-hmm.
We go outside of the car.
How many people are out in that?
Oh, it was a great idea.
It was insane.
Yeah.
People all over.
You know, but in a very good way though.
Oh, yeah.
And a lot.
I mean, I wish we had the numbers of how many people that were actually at the festival.
Because I feel there was more people at the festival itself than we've seen in the last couple of years.
And then, you know, you look at it.
It's not just there.
It's at the Alamo.
Um, the other, you know, down downtown, um, at the theater center there.
So I mean, it's, it's all around a different place.
It's like to expand out.
And, and, and the fact that the dedication that the staff has to this, where they go to film festivals all over the country,
looking for things that they can program for this festival.
I can't even imagine what kind of a job that is.
Sure you get to go to Sundance, but you don't ever get to breathe because you've got to keep watching movies because you've got to program your own festival.
But they do such a great job.
Yeah.
And we, we leave every year going, how are we going to top that?
And then we do, you know?
Yeah.
I mean, we got to talk to Patrick Duffy this year, even briefly.
But we still got to talk to Patrick Duffy.
We got to spend, how long do we have Diego Luna on the show?
Oh, God.
The bed of part a 10 minutes at least.
I don't know.
I'm saying at least 20.
That was a conservative estimate on my part.
I don't know, but all I knew is that it seemed.
I'm sure looking at the timestamp, it's it's longer.
But it went by so quick because it was so much fun talking to him.
And Mr. Coutilla, it was, it was, it was, it was the cheers.
We had, we had Hunter come on for the third year in a row.
You know, I love it when we have guys that want to come back and do the show.
Hunter Carson's great.
And he gets better every year on the show.
And I got, I got bare hug by Gutierrez on the way out the door.
He's, it's just, it's so great when people are like,
Hey, yeah, I remember these guys.
Let me sit down with them.
And then when Don has his little no pad and he holds up the no pad and we've got,
I got Diego Luna sitting right in front of me.
I've got Jorge Gutierrez sitting just to my, to my right.
And the piece of paper, Don has in his hands
that's talk as long as you want.
I'm like, you better be careful.
What you ask for?
Because they may have to order breakfast.
I mean, it, I'm never, not amazed.
Number one at the opportunities that we get on the show.
But number two, the fact that we keep getting asked back.
You know, it's like, you kind of hope their never come to the day where they figure out.
These guys are just a couple of shrubs at a podcast.
You stop, you know.
We are.
We really are at the end of the day.
But the fact that they love just seeing the, the lunacy that we bring.
And it's not even intentional.
The lunacy just happens on its own.
We always talk about how part two of the Dallas International Film Festival is always the most
wheels off show of the year.
And that show really does drive itself.
Yeah.
It's, you know, I just thought that we go on a poetic pile.
And this is that we really don't need to do much.
I just slapped a bad boy in neutral.
And we just cruise because we, there's such amazing and engaging guests.
That's sometimes I'm kind of like, oh, I wish we could just keep them here for the rest of the time.
But then on the other hand, you're like, they really need to be able to go party a little bit.
Yeah.
So they're probably done talking to people.
But, but they're still here to promote their film.
And they probably want to smooth with the people that might.
You know, like, like, like, who was it that some that up was it was a, yeah, was wildman.
That said that, you know, it's, it's one of those things where they get in contact with other people
within the industry.
They help them make their next project go even smoother.
And I'm like, yeah, they probably don't need to spend all the time in the world talking to us goofballs.
But it, it's, they're there for a reason.
And that's to continue to wallow in the passion of what they're there to promote the first place.
And to see how much fun they have with the whole thing.
It's just, and it's genuine.
It doesn't really, there's no, there's no feeling of it's forced or anything.
Yeah, they're not doing it through gritted teeth or anything.
And they're, they're smiling and, and, and laughing and cutting up with everybody.
I mean, I'm, I'm, I'm sorry, but when you've, you've got James Fowse.
Singing when Dubs cry in the background.
James Fowse, the creative director of the festival and a the highest quality of human beings.
I mean, it's, it's infectious.
It's, it's, it's speaking of that.
We definitely also want to send a shout out to friend of the show,
who, who threw it down last night.
I mean, we have given it to a whole Jessica with a red carpet.
Uh, I mean, the list going windy and everybody, uh, John, who, you know,
We've got him last night, but I know he was so busy taking pictures.
I want to get John Strange on the show.
No, I mean, but the other, uh, you know, John, wow.
Yeah, I, I figured that to you, man.
I mean, what these people go through and how curious they are.
And I just say, hey, can I have the very last spot at the end of the red carpet?
So I could just grab the people and they're done done.
And like, yeah, sure, have it.
You know, I mean, they're so accommodating on stuff like that.
And I'm, I'm just always impressed by just, yeah, what comes to down with you?
There's a million other places these people could be.
But they're like, no, what we definitely want to come to down and talk to you guys.
And they don't even really know who we are.
But they know that we've got microphones and headphones on.
So obviously we're doing something.
You know, and just so much awesome came from the festival this year.
And it always does.
And Don, you did an amazing job again this year.
Oh, you guys, it's a team.
Yeah, but, but if you don't find people, it's me and Chad talking to each other.
And we do enough of that.
Yeah.
You know, they have power wants a little bit more.
And they, I mean, I really feel that we really have been able,
consistently with these shows to be able to deliver.
And we don't get to deliver without you doing what you do.
I appreciate it.
But still, you know, all the team and, of course, I'm always looking forward to next year.
After a nap.
Yeah.
After a nap.
Because, you know, we've probably going to do some more of these as the year goes on.
Oh, yeah.
A couple of big ones coming this summer, if you listen to the show last night.
And we're going to,
yeah, I have a greater than zero chance of being involved there, of course.
Anything else?
Cause really?
I think we covered most of it last night.
I mean, that podcast last night is almost three hours long.
It was an epic.
I, you talk about the family, you know, the feel and all that.
I have to, with great sorrow.
Take a time, brother.
Gary Murray passed away last night.
Great.
For this show.
Let's, let's, let's put the framework around that.
Gary is your best friend.
You know, nobody knew Gary like you did.
And you, you, if you listened to last night's show that was not a bit,
Don was working, Don.
When he had to go, he had to go.
Mm-hmm.
And you were there with him.
Yeah.
Because his family's out of town.
Yeah.
He used to.
But I was got there in time where I was able to put the phone to zero.
And I was a mom say goodbye, Don.
And I was homeless hand when he, when he, he walked into God's arms.
So.
And what the diff is doing for him?
They will be doing a tributes to him throughout the rest of the weekend.
We are, and you and I haven't talked about this, Don.
But Chad and I talked about this at lunch.
We are lobbying as of right now for something in his memory,
for Dallas International Film Thessavos to come,
whether it's an award to be named after him,
whether there is a, some kind of screening every year that's named in his honor
because it was his kind of film.
We are starting to lobby now for that to be a permanent fixture.
I can't thank you guys enough.
And quality, this doesn't happen without him.
I agree.
You're never going to hear me debate, brother.
And, you know, God has a plan for everything.
But it's always that.
My, my, I'll be out of the funeral.
The family asked me to pick the Paul Bears.
Of course, they want me to be lead.
But my heart goes out to the family.
And if you knew, if you knew Gary and you need information on,
it's on, it's on Don's Facebook page of where the viewing will be a Friday,
April the 29th with the Memorial Service on Saturday,
April the 30th down in the Houston area.
Don has details and a map for that on his Facebook page.
And we will make sure that we get it added to our Facebook page as well.
But God bless you will be missed.
Absolutely.
Yeah.
And to everybody to the death.
Thank you for doing what they're doing.
And he had a lot of money.
Like Gary, he wanted us to go on.
He would want us to do this.
And he had a lot of friends.
And here's what Jason Lopez, who we call ourselves the three dumb amigos.
After he passed on or sitting in the hospital.
And we're talking and just, you know, trying to group her thoughts.
He goes, Jason made a point.
And I agree with him.
He's up there writing jokes about everything right now.
He really is.
Yeah, he had the issue with the foot, made so many jokes about us.
Foot issue, you know, he, he's up there on the comedy stage in the sky.
And he is never going to miss any Jimmy Buffet concert ever again.
And you'll be going here in just a few weeks.
Correct.
Yeah.
And we actually talked about that at lunch today.
How, you know, how special this particular Buffet show is going to be for you.
Yeah.
And I just, I, on a personal note.
And this, I'm getting really local with this.
And I don't.
That's fair.
If anybody has any information that they can give up to help find, because if let's just put the framework around it, he was involved in a hit and run.
And to me, that is the lowest form of human being.
If anyone has any information that can lead to finding out who did this, so that justice can be served.
Please step forward, because we all want justice, right?
You had detective Escobar with the Dallas Police Department.
Oh, is that who's handling the case?
Yes.
And we think we love our first responders.
And we, we know they do everything we can, they can.
And we want to thank our first responders for, for being there for Gary all the way through.
And the people in the hospital were the nicest.
And which hospital were you?
Baylor on the gas station in Dallas, Texas.
Baylor down the doctor.
She was in the credible doctor.
And she, you know, said, you know, talk to the mother and me at the same time.
I don't speak her phone.
And, you know, and the staffing there, the, the chaplain.
She was in the credible chaplain.
Incredible people.
Yeah, I just, I can't say how credible nice they were.
Baylor has probably got the most amazing network of medical personnel that's available in this part of the country.
I mean, that's where I was born.
That's where my daughter was born.
First class organization all the way around from top to bottom.
And there's no doubt that the, the thankfulness for you don from his family and friends is, is unending.
Um, like I said, this has been a roller coaster.
You have a week.
Yeah.
You know, it's, but our, my prayers, my heart goes out to all of us friends to his family, of course.
You know, let's allow me for that award.
Absolutely.
Thank you to the different, this whole incredible thing.
We're looking forward to next year.
We can't say it enough.
And we're, we're getting ready now.
Thank you to everybody that sat with us.
Thank you to everybody that got us to get other people to sit with us.
Thank you for everybody that's supported us and gotten the word out.
Hey, come sit with these guys and then you'll have a great time and be able to promote your film.
We have met so many wonderful people, whether it's on the red carpet on our side of the road.
Our side of the rope of the red carpet.
Other people in the press core people that are on staff.
We, we are so thankful.
We loved this year and all three years that we've done this so much.
We've got more to come.
So don't take off your seatbelt because this train isn't stopping.
Anything else for we wrap this up, gentlemen?
Yeah, I think we're good.
All right.
Let's do the plugs.
Make sure you visit our website.
www.theclubhousepodcast.com.
Find out everything you need to know in some stuff you don't.
And all of my written reviews from the films I was able to see at the Dallas International Film Festival this year.
Please like our Facebook page.
Look up the clubhouse podcast on Facebook.
Put the word podcast on the end or it's something completely different.
Follow us on Twitter at clubhouse show.
Follow us on Instagram at the clubhouse podcast.
You can follow me on both of those platforms.
And yes, that Rob Irvin that has spelled ERV.
I am at chat in PG-69.
I'm at font don't go.
You can email me at Don at the clubhousepodcast.com.
Email Don for information on how we can come do live shows.
Like we've been doing for the last week and a half.
We've done quite a few of them and we're ready to do them all again.
You can email me.
Questions, comments, concerns.
Tell me to go pound sand.
I am Rob at the clubhousepodcast.com.
I am chat at the clubhousepodcast.com.
Charlotte Parker is on Pinterest because we are morally obligated to say that.
And Jules Wamik, I think she's glad to have her husband back for it.
Maybe so.
Our normal show every Sunday, night, 70's from 4 Pacifica Journal.
One stop shop for all things sports entertainment.
Not this week, we're going to take this Sunday off.
But we're going to be back next Sunday because it's WWE payback.
But we'll be live in the studio for that.
So until next time, for Don, for Chad, for the memory of Gary Murray, for the empire.
I'm Rob.
Clubhouse is closed.
The preceding was a sooner orgator production.
Gotta go!
Why?
Because I have to.
See ya!